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Bibliography

BIBLIOGRAPHY

  • 1965

    Bourdon, David, “The Flip Side”, The Village Voice, New York, June 17

  • 1966

    Kramer, Hilton, “Reviews”, The New York Times, New York, May 21

    Sommers, Ed, “Letter from Germany”, Art International, Lugano, Vol. X, No. 10, December,
    Pages 37, 38

    Waldman, Dianne, “Reviews and Previews”, Art News, New York, May

    Battcock, Gregory, “New York”, Art and Artists Magazine, London, July, page 66

  • 1968

    Christgau, Robert, “Gordon, Lozano, Ryman, Stanley”, New York, NY, March 31

  • 1967

    “Art: Taste on Campus”, Time magazine. New York, Vol. 90, No. 3, July 21, pages 50,51

    “A 500 Mile Journey into an Artist’s Eye”, Painting by Bob Stanley, Sports Illustrated, New York, Vol. 26 , No. 22, May 29, Cover and pages 74-78

  • 1968

    Christgau, Robert, “Big Paintings: Bob Stanley”, Cheetah Magazine, New York, Vol. 1, No. 8, May, pages 38-43

    Davis, Douglas “The New Eroticism”, The Evergreen Review, New York, Vol. 12, No. 58, September, pages 49-54 and 79-83

  • 1969

    Gegenverkehr, Aschen, Zentrum for aktuelie, Kunst, Katalog 2/69, Robert Stanley, Gegenverkehr e. V. Zentrum fur aktuelie Kunst, Aechen, TheaterstreBe 50, Offnungazeiten

    Honnef, Klaus, “Bilder der Massen-Zivilisation”, Aachener Nachrichten, Aachen,
    March 1, page 4

    Thwaites, John Anthony, “Die Garbo, die Vitti, die Beatles”, Saarbrüker Zeitung, Saarbrücken, March 12

    -WDR, Cologne, Radio Broadcast

    -“Eros erinnert an Dharma”, Deutsche Zeitung Christ und Welt, Dusseldorf, March 14

    Richter, Wolfgang, “Die Kulte der Kensum-Welt”, Aahener Deltszeitüng, Aachen, March 1

    Canaday, John, “Art: Realism: Waxing or Waning?” The New York Times, Sunday, July 13

    Frankenstein, Alfred, “The High Pitch of New Realism”, The San Francisco Sunday Examiner and Chronicle, August 17, pages 29-30

    Williams S, Wilson , Direction 2: “Aspects of a New Realism, Two Critial Essays”, Milwaukee Art Center, 1969

  • 1970

    Alloway, Lawrence, “Monumental Art at Cincinnati,” Arts Magazine, New York, Vol. 45, No. 2, November, page 32

    Goresen, Peter, “Erotic Art”, Magazine Kunst, Mainz, 10 Jahrang, No. 37, February/March/April, page 1643

  • 1971

    Alloway, Lawrence, “The Spectrum of Monochrome”, Arts magazine, New York, Vol. 46, #3, December/January, pages 32,33

    Gassiot-Talabot, Gerald, “Robert Stanley”, Opus International, Paris, No. 29/30, December, pages 45,55

  • 1972

    Perreault, John, “Reviews”, Village Voice, New York, December 21

  • 1973

    Dykes, William, “Reviews: Galleries”, Arts Magazine, New York, Vol. 47, No. 4, February,
    Pages 75,76

  • 1974

    Taylor, John Lloyd, “Bob Stanley”, Art International, Lugano, Vol. XVIII/7, September 20,
    Pages 18-20, 24-26, 32

  • 1975

    “The Magic is Inside”, Track and Field Drawings by Robert Stanley, Sports Illustrated,
    New York, Vol. 42, No. 8, February, pages 32-36

    Kuhn, Annette, “P.S.1: Back to School”, The Village Voice, New York, October 17,

  • 1977

    Kuhn, Annette, “P.S.1: Back to School”, The Village Voice, New York, October 17,
    Pages 60,61 (Centerfold)

    Lola B. Gellam, “Outside The City Limits, Landscape by New York City Artists”, Thorpe Intermedia Gallery, Sparkill New York, Introduction by, “Relationships to Nature” by John Perreault, 1977

  • 1978

    Ratcliff, Carter, “Bob Stanley and Bart Wasserman at P.S.1”, Art in America, New York, January- February, pages 114-115

    Frank, Peter, “Paint Misbehavin”, The Village Voice, New York, October 16, page 123

    Amaya, Mario and Spector, Naomi, Bob Stanley’s Louisiana Sweet”, Monograph, The Artist and Siena Press, New York

  • 1980

    Florescu, Michael, “Bob Stanley”, Arts Magazine, New York, Vol. 55, No. 3, November, page 6

    Zimmer, William, “Bob Stanley”, The Soho News, New York, October 8, page 45

  • 1981

    Hunter, Sam, “New Directions-Contemporary American Art from the Commodities Corporation Collection”, Princeton, NJ, Catalog

  • 1983

    Coffin, Anne, “Creative Collaborations: Artists and Printmakers”, Downtown-Lower Manhattan Cultural Council, New York, Vol. 6, No. 2, February

  • 1984

    Kunter, Janet, “Museum takes Pop Approach”, The Dallas Morning News, Arts and Entertainmant, Section F, Dalas, May 10, pages 1, 2

  • 1985

    Van Siclen, Bill, “At URI, a touch of the big apple”, The Providence Sunday Journal-Bulletin,
    Arts and Leisure Section, Providence, RI, November 17

    Scott, Judith, “New York Artsts’ display is High Caliber Work”, The Western Sun, Kingston, R.I., November 22

  • 1987

    Artschwager, Richard, “Robert Stanley, Parade in the Face of Death”, Galeries Magazine
    Bulogne-paris, No. 20, August-September, pages 66,67 and 122,123

    Galerie George Lavrov “Robert Stanley”, 42 Rue Beaubourg, Paris, Setpember 16 – November 14, 1987, Exhibition Catalogue

  • 1988

    Engblom, Sören, “Mässornas vralak!” Expressen, Kultur, page 4, Stockholm, Sweden, March 23

  • 1989

    Robert Pincus-Witter, “Robert Stanley Twenty-Five Years Later”, Published by Partners & Partnrs fine Art LTD, Guerrsey Island, 1989

  • 1992

    Moderne Kurst Dictmar Werle Koln, “Robert Staneley”, Exhibition April 25 – June 6, 1992, Moderne Kurst Dictmar Werle, Gladbacher StraBe 17, 5000 Koln, Exhibition Catalogue

    Barbierato Arte Contemporapea, “Robert Stanley Opere Recenti” Gennaio – Febbraio, 1992, Exhibition Catalogue

  • 2009

    Sammlungrolfricker, einzeitdokument, (Rolf Ricke Collection, A Document of the Times), KunstMuseum Liechtenstein, Christiane Meyer-Stoll, Published by Hatje Cantz Verlag, Ostifildern, Germany

    Shoes Or No Shoes, Vandevoordeweg 2, B -9770 Kruishoutem, Belgium, 2009